Monochrome: Shadows and Reflections

McCarthy Road

My approach to photography has generally been pretty traditional. My photos are usually realistic, no frills or special effects except perhaps a little color saturation, which I’ve loved since the old-school film days when I used Velvia slide film and underexposed half a stop to get that rich kind of color.

Monochrome reflections
Reflections on the McCarthy Road

But for this week’s Lens-Artists Photo Challenge, Patti asks us to share monochrome images with reflections or interesting shadows. I have a few monochrome images in my files, and found some that work well with this theme. But I’ve had a bit of fun re-imagining some of my polychrome images, too.

Cape Disappointment State Park
Seagull sunset at Beard’s Hollow, Cape Disappointment State Park

Here are a shadow (silhouette) and a reflection shot from Washington’s Long Beach Peninsula. They’re all about the birds.

Long Beach Peninsula
Sanderling in black & white

You might have noticed that the seagull scenic wasn’t quite black & white, more of a blue. Monochrome means one color, not greyscale. Here are a couple of colorful monochrome images. Continuing on the bird theme…

blue monochrome image - living sculpture
a natural living sculpture
Williams, Oregon
Christmas morning, 2021
monochrome Bandon Beach sunset
Bandon Beach

I think the beach may be my favorite place to make monochrome images.

Secret Beach
Secret Beach reflections

But there are so many nice reflections on the McCarthy Road, too.

McCarthy Road
One from the road, the McCarthy Road in Wrangell-St. Elias National Park & Preserve.

Here are a couple of pond lily reflections from the McCarthy Road, one in infrared, one in standard greyscale, under different lighting, portraying very different moods.

Pond lily monochrome
Infrared in late afternoon light
Wrangell-St. Elias National Park & Preserve
Standard grey scale at midday

I transformed a pink dawn moonset at New Mexico’s Bosque del Apache National Wildlife Refuge into a nighttime moonrise by going monochrome in this image.

Monochrome moonset on the Bosque
B&W moonset on the Bosque looks like a moonrise.

As I look over my catalog, I see a lot of reflections and a lot of interesting silhouettes, but not that many interesting shadows. Shadows can accentuate texture and be quite dramatic in their own right, but I guess I don’t readily “see” their potential when out shooting. Too much of that polychrome mindset, instead of exploring the possibilities of monochrome. Something I’ll have to work on, now that I’m aware of it. But here is an image where strong shadows help to create an impression. In this phot of Jug Handle Arch near Moab, the shadows accentuate the texture and power of the rock as well as the harshness of the desert sun.

Jughandle Arch
Jughandle Arch

My last image is a bit strange. I was exploring the ghost town of Goldfield, Nevada, which has an infamously haunted hotel. I peered into the window of the derelict building and spied an upright piano sitting amongst the rubble. I really wanted to capture a photo of the piano, but the glare from the midday sun and reflections from the brick wall obscured the view. The image I ended up with, though, looks uncannily like the piano is a reflection or even a mirage, oddly appropriate and haunting for a ghost town.

Goldfield, Nevada
Ghost piano

Thank you, Patti, for this week’s Lens-Artists Photo Challenge, Shadows and Reflections  in Monochrome.