Soft and Dreamy – Reducing Clarity

Port Orford, Oregon

Flowers

I’m pushing my boundaries, leaving my comfort zone, by going soft and dreamy for this week’s post. Reducing clarity to create softness is a photographic technique I seldom (almost never) use. I’m one who is always going for more sharpness instead.

Soft and dreamy is a good way to go for some flower images.

It’s a technique, though, that I should probably use more often. Reducing clarity to make an image soft and dreamy is especially effective with some flower images.

I really like what reducing clarity did for this Joshua Tree blossom image.

Reducing clarity and using a mask to sharpen part of the image is great for changing depth of field, too.

Reducing clarity with a sharpening mask over the main subject can create a shallow depth of field.

Foggy conditions naturally reduce clarity without any additional processing.

Fog naturally softens images.

Trees

As I played around with reducing clarity, I discovered that I really love what this technique did to a few of my tree images.

Soft and dreamy maple tree

I was able to make some of my tree images soft and dreamy, giving them a painterly effect.

I love the painterly effect losing clarity had on this image.

The following image was always one of my favorites, but I could never get it as sharp as I needed to. It was always a little too busy, too. But reducing clarity gives it the look of an impressionist painting. I love it!

I love soft and dreamy on this image!

Waterfalls

One place where reducing clarity is especially impressive is in waterfall images.

I love what reducing clarity does for running water.

It makes the water silkier and fuller. You can see this effect in the following 2 images.

Reducing clarity can make running water silkier and fuller.

Perhaps you don’t want the whole image soft, though. In the following photo, I used a mask to soften the water but left the rest sharp.

Rustic Falls on Orcas Island

If you want to obscure a busy background by making the image soft and dreamy but also want to preserve some detail in the foreground, you can use a few different tricks to make that happen. I used a couple of techniques in the following series.

Waves

Waves are also fun to make soft and dreamy. Here’s another series.

By reducing clarity, texture, and dehaze, I transformed this ocean sunset into an almost abstract watercolor.

Way soft and dreamy

Landscapes

As I mentioned a couple of weeks ago in Monochromes, I usually try to stay realistic with my photos. But this winter is all about getting out of my comfort zone, both physically and creatively. And actually, reducing clarity works particularly well with the Orcas Island landscape.

Reducing clarity works well with the Orcas Island landscape

Reducing clarity and going monochrome turned this flat, boring photo taken in terrible midday light into an image I can be proud of.

Quite a different mood from midday flat light.

Thank you to Bren of Brashley Photography for this week’s Lens-Artists Photo Challenge, Bringing Softness. You’ve helped me to stretch and learn a new technique!

Soft and dreamy on Orcas Island
Port Orford, Oregon

North Meets South – Changes In Latitudes

Denali National Park

North meets South annually in my life.  I migrate. As beautiful as Alaska is in the winter, like the birds and the whales, I prefer to head for warmer climes when the days get shorter.

North meets South in flowers
In the following pairs of flowers, can you tell which is North and which is South?

For years I worked in Death Valley National Park in the winter. People used to tell me, “Wow, you go from one extreme to the other! But I didn’t see it that way.

Death Valley National Park
Death Valley or Denali?

Sure, there are big differences.  In some years I was moving from a park that contained the highest point in North America, Denali, to a park that held the lowest point, the Badwater Basin. But I was actually avoiding the extremes through my travels- escaping the cold of winter in Alaska and dodging the heat of summer in Death Valley.

Blackish Oxytrope
Plants in both places use many of the same strategies to survive.

The predominant colors were different, it’s true – shades of green in Denali and shades of brown in the desert. But the landscapes were surprisingly similar.

North meets South in flowers
That’s why they look so similar.

In fact, there were far more similarities than there were differences. North meets South, sharing many of the same attributes. When I first applied for a job in Death Valley, an Alaskan friend told me that I’d find it more like home than anywhere else in the lower 48. He was right.

Panamint Valley
The landscapes aren’t all that different.

Immense, open panoramas abound in both.  The vastness cannot be described, it needs to be experienced. They are landscapes that make you aware of your own insignificance. Death Valley is the largest park in the contiguous United States. Denali is even bigger.  In most places, these landscapes seem endless because there are few to no trees. When I worked in Denali, I lived at the Toklat Road Camp, 50 miles into the park. I was surrounded by alpine tundra, not trees.

Denali National Park
They’re both vast.

There are parallels in many of the geological features.  Both contain rugged mountain ranges divided by wide valleys. Alluvial fans and glacial outwash plains look surprisingly similar. The raw, naked geology is exciting. The stories that the rocks tell are so much easier to understand in barren landscapes like these.

North Meets South
A nameless canyon in the Black Mountains

One aspect that delights me is that both parks are filled with countless nameless canyons to explore. These landscapes invite you to wander.

North Meets South
A nameless canyon on Polychrome Mountain

Sometimes you find similar treasures as you explore these canyons. Did these horns come from Death Valley or Denali?

Dall's Sheep horns Denali National Park
Denali or Death Valley?

One way North meets South is through the commonalities of their wildflowers. Both Denali and Death Valley can have phenomenal flower seasons. And plants in both parks use similar adaptations to survive in their harsh environments.

rare penstemon found on Lee's Flat
Both parks host an incredible variety of wildflower species.

Both Denali and Death Valley pose extremely difficult challenges for the plants and animals that live there. Although one place is scorching hot and the other bitterly cold, they share an element that amplifies the effects of both extremes – wind.

Common Lousewort
They’re not all belly flowers!

In both places, the growing season is short but intense. In both, you’ll also find that a lot of flowers grow low to the ground.  Belly flowers. They often grow closely in mounds or in mats covering the ground, working together to avoid the drying effects of the relentless wind.

Purple Mat
Growing low to the ground in a mound can protect the flowers from wind and conserve water.

Many plants in both places are covered with fine hairs, which keep Denali’s flowers a little warmer and protect Death Valley’s from the harsh sun.

Denali or Death Valley?

The biggest draw for me personally is that both Denali and Death Valley are incredibly wild, something I’m aching for on tame, benevolent Orcas Island this winter. There is something about the harshness of those landscapes that speaks to my soul. And of course, they’re also both awe-inspiringly beautiful.

Denali National Park
Denali National Park

Thank you, Amy, for this week’s Lens-Artists Photo Challenge, East Meets West (or North Meets South).

Death Valley National Park
Death Valley National Park

Monochrome: Shadows and Reflections

McCarthy Road

My approach to photography has generally been pretty traditional. My photos are usually realistic, no frills or special effects except perhaps a little color saturation, which I’ve loved since the old-school film days when I used Velvia slide film and underexposed half a stop to get that rich kind of color.

Monochrome reflections
Reflections on the McCarthy Road

But for this week’s Lens-Artists Photo Challenge, Patti asks us to share monochrome images with reflections or interesting shadows. I have a few monochrome images in my files, and found some that work well with this theme. But I’ve had a bit of fun re-imagining some of my polychrome images, too.

Cape Disappointment State Park
Seagull sunset at Beard’s Hollow, Cape Disappointment State Park

Here are a shadow (silhouette) and a reflection shot from Washington’s Long Beach Peninsula. They’re all about the birds.

Long Beach Peninsula
Sanderling in black & white

You might have noticed that the seagull scenic wasn’t quite black & white, more of a blue. Monochrome means one color, not greyscale. Here are a couple of colorful monochrome images. Continuing on the bird theme…

blue monochrome image - living sculpture
a natural living sculpture

Williams, Oregon
Christmas morning, 2021

monochrome Bandon Beach sunset
Bandon Beach

I think the beach may be my favorite place to make monochrome images.

Secret Beach
Secret Beach reflections

But there are so many nice reflections on the McCarthy Road, too.

McCarthy Road
One from the road, the McCarthy Road in Wrangell-St. Elias National Park & Preserve.

Here are a couple of pond lily reflections from the McCarthy Road, one in infrared, one in standard greyscale, under different lighting, portraying very different moods.

Pond lily monochrome
Infrared in late afternoon light

Wrangell-St. Elias National Park & Preserve
Standard grey scale at midday

I transformed a pink dawn moonset at New Mexico’s Bosque del Apache National Wildlife Refuge into a nighttime moonrise by going monochrome in this image.

Monochrome moonset on the Bosque
B&W moonset on the Bosque looks like a moonrise.

As I look over my catalog, I see a lot of reflections and a lot of interesting silhouettes, but not that many interesting shadows. Shadows can accentuate texture and be quite dramatic in their own right, but I guess I don’t readily “see” their potential when out shooting. Too much of that polychrome mindset, instead of exploring the possibilities of monochrome. Something I’ll have to work on, now that I’m aware of it. But here is an image where strong shadows help to create an impression. In this phot of Jug Handle Arch near Moab, the shadows accentuate the texture and power of the rock as well as the harshness of the desert sun.

Jughandle Arch
Jughandle Arch

My last image is a bit strange. I was exploring the ghost town of Goldfield, Nevada, which has an infamously haunted hotel. I peered into the window of the derelict building and spied an upright piano sitting amongst the rubble. I really wanted to capture a photo of the piano, but the glare from the midday sun and reflections from the brick wall obscured the view. The image I ended up with, though, looks uncannily like the piano is a reflection or even a mirage, oddly appropriate and haunting for a ghost town.

Goldfield, Nevada
Ghost piano

Thank you, Patti, for this week’s Lens-Artists Photo Challenge, Shadows and Reflections  in Monochrome.

 

Messages

Petroglyph State Park

Sometimes messages are loud and clear and easy to read. We especially try to do this with warnings.

McCarthy Road
Getting to McCarthy is not always easy.

Sometimes they need a little interpretation.

Wrangell-St. Elias National Park & Preserve
Residents of the Wrangells really like their guns.

McCarthy, Alaska
But are generally kind, loving people.

Sometimes we read messages from the past, but can no longer understand them.

Dinosaur National Park
These petroglyphs are nearly a thousand years old.

El Morro National Monument
What does this mean?

Sometimes what might seem like a message is just a coincidence.

Radium Hot Springs, B.C.
Truth in advertising?

But sometimes we think a clear message is just a coincidence.

McCarthy Road mudslide
Melting permafrost due to climate change is trouble for Alaska roads.

Nature sends us lots of messages. Some are easy to read.

messages in the sand
A Kangaroo Rat came by here last night.

Wrangell-St. Elias National Park & Preserve
Termination dust (snow) means it’s time for snowbirds to fly.

This message I read loud and clear every autumn.

The view from my front porch
Leaves are falling all around
It’s time I was on my way

Sometimes Nature’s messages need a little interpretation. For instance, when an animal turns its back to you like this, they’re saying, “I’m pretending you’re not there. Now go away and leave me alone!”

Animal messages
Leave me alone!

Or when the fireweed reaches the top of its stem, it means summer is over.

Summer is over message
Summer is ending!

We ignore some of nature’s messages at our own peril.

Denali National Park
Be bear aware!

Here’s another one we are ignoring at our own peril. Global climate change is real. Sea levels are rising. I awoke one day last month to find that the sea had invaded the yard and the ocean was throwing logs onto the lawn. The homeowners say this has never happened before, but I’m willing to bet it won’t be long before it happens again. Mother Nature is sending us clear messages. You might even call them warnings. We need to pay attention.

Climate change
Sea levels are rising.

Thanks to Wind Kisses for this week’s Lens-Artists Photo Challenge, Messages.

Favorite Images of 2022

Point Pinos

For this week’s Lens-Artists Photo Challenge, we’ve been invited to share our favorite images of 2022. I’ve been sharing this year’s favorite images in my last two posts, so I won’t be revisiting those images here. You can go back and look at those posts if you missed them!

One of my favorite images of 2022
The God rays are still one of my favorites!

But I would love to share some other favorites. A few of them I’ve published in earlier posts, but most are brand new. It seems my favorite images change weekly! Because of the scarcity of electricity and internet access during my summer months in Alaska, I have still not caught up with my image processing for the past year,  and I discover new favorites every day.

Cascade Falls Moran State Park, WA
This is becoming my favorite abstract image for 2022.

There are so many photos I haven’t even really looked at yet, including winter in Arches and most of my fall shots from Alaska and Washington State. It’s like Christmas every day for me as I continually find new favorite images.

I saw some amazing places in 2022. One that has been on my mind continually this week is the California Coast. Most winters I spend either January or February on the California Coast. I’m not there this year, which may be a blessing. My heart goes out to all the folks struggling with too much of a good thing, with the atmospheric river and torrential flooding.

California seascapes
Amethyst Tide

I spent the month of February  2022 housesitting in Pacific Grove on Monterey Bay. I was 4 blocks from the coast and made a point of doing photography nearly every day while I was there. That is also the batch of work I am currently processing, so a lot of my favorite images in this post are from that visit.

Favorite images 2022
Pacific Grove

Another fantastic roadtrip was driving the Cottonwood Canyon Road in Grand Staircase – Escalante National Monument. It was on my bucket list for years, but usually this is a road that requires 4-wheel drive. I called the ranger station to see if it would be safe to drive in just a couple of miles to do some dispersed camping and the ranger told me the road was in great shape and my little Toyota truck would make it end-to-end just fine! Quick change of plans for me, I could not miss that opportunity. The highlight was visiting Grosvenor Arch, and it was every bit as beautiful as I had imagined it would be.

Grand Staircase-Escalante National Monument
Grosvenor Arch

I’ve also spent a lot of time in Olympic National Park this year. I haven’t processed the fall images yet, but I’ve included a spring sunset in this collection.

First Beach
Rainbow sunset

My last post included a lot of my favorites from the time I spent at home in Alaska, but I am revisiting my favorite flower photo from this summer.

Bog Bean flowers
I love the pattern displayed by the flowers and their shadows in this image.

My best sunset/sunrise of the year was traveling south down Canada’s Cassiar Highway. Every image in the series is so rich and so different. That sunset went through every shade a sunset could possibly have. Intense. I did a series on Instagram last week with a few of these images, 7 Shades of Sunset.

This image looks like I tweaked the color in LightRoom, but honest, it was really that red. I did not saturate the color, I even used Adobe Neutral as my color profile. I published a different swatch from that evening’s palette of hues in last week’s post, ‘cuz this one looked too over the top to me. But now I think it is my favorite.

Bowman Lake
Cassiar Highway Sunset

I traveled the Mt. Baker Highway for the first time this fall. Although the conditions were less than ideal due to wildfire smoke, I was amazed at the astounding views and the easy access to hiking in the alpine. I can only imagine how stunning it must be when there’s no smoke. A new favorite place, I will definitely be checking that road out again!

Mt. Baker Highway
Mt. Shuksan

And of course now, I’m on Orcas Island for the winter, where there are some lovely waterfalls. This image is a favorite.

Moran State Park
Rustic Falls

I look forward to seeing what favorite images 2023 will bring. If you have been following my travels on Facebook, though, it seems that Facebook has not been circulating my posts much lately. I urge you to subscribe to my blog instead, so that you won’t miss a post.

Happy 2023!

North Cascades National Park
I had to include some fall color.

 

Curves

Soft, sensuous, sexy curves

In life, as in art, the beautiful moves in curves.

Edward Bulwer-Lytton, 1st Baron Lytton
Skyline Trail, Cathedral Hills, Oregon

I love curves. They’re far more interesting than straight lines. Nature abhors a square, after all. Think about it. A path through the woods or canyon is so much more intriguing when you can’t see what is coming around the next bend. It’s tantalizing. The anticipation and curiosity build, drawing you irresistibly onwards, like iron to a magnet.

Don’t you wonder what’s around the next bend?

There’s something feminine about curves. They exemplify cooperation, going with the flow instead of forging straight ahead. They teach us that compromise is not losing, that sharing space and allowing for a little give and take can help everything thrive and grow.

Curves are strong. There’s strength in flexibility. That’s another lesson they teach us, how to bend and not to break.

Arches National Park

Cultivate your curves – they may be dangerous but they won’t be avoided.

Mae West
Dangerous curves

Often life throws us curves. If we’re not ready for them, they can be dangerous. We can’t see what’s coming for us around the next bend and we approach it way too quickly. The curves of life can send us spinning out of control, sometimes sending us crashing and burning.

Magic lives in curves, not angles.

Mason Cooley

But if we’ve learned those lessons, about flexibility and cooperation, about going with the flow and being open about what we might find around the next bend, the curves life throws us can be opportunities, chances for us to grow. Embrace your curves! Bend, don’t break.

Many thanks to Ann-Christine aka Leya for this week’s Lens-Artists Photography Challenge, Curves.

“May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view.”

― Edward Abbey