It’s a year in review, the best of 2023. For this week’s Lens-Artists Photo Challenge, we were asked to show no more than 12 of our favorite images from the past year. Wow, that’s a hard choice.
I couldn’t do it. Too many favorites. So I tried to narrow it down from the 112 I’d picked out of my files to just the ones I had never published. I still had far too many.
That’s probably because I’m STILL processing 2023 images and I find new favorites every day. I finally narrowed it down to 15. Culling those last 3 was especially painful, but those were the rules this week. So finally, here it is, my best 12. Unpublished, that is.
The feature image was obviously taken in Grand Teton National Park, under the most amazing lighting. The first big winter storm of the season was due to hit in less than 8 hours. You could see the front coming in. I had to keep moving so I wouldn’t be caught by it, but I got some amazing shots as I was passing through.
The day before, though, the light was horrible in Yellowstone. Yet that harsh, in-your-face glare made this photograph possible. I never would have seen it if I’d had good lighting on the bigger landscape.
I took the Icefields Parkway through Jasper and Banff on my way south from Alaska this year. I’ve included an image from each park. I wish I could have included more. These were the hardest images to narrow down.
My best photo session of the year, though, was Bandon, Oregon. Scenic views, tidal pools… A third of the images in this post are from Bandon, not to mention the photos included in the last two posts. It was a magic couple of days.
The next two images seem like a matched set to me, even though one was from Bandon and the other from Cape Perpetua. I just see them hanging on a wall together.
I was just SO happy to finally visit tide pools and see sea stars!
The landscape at Bandon is so varied, so many views. This next image looked like an alien planet to me, with the grey lighting and minimalist composition. Hard to believe it’s the same beach, and the same day, as the other landscape.
Another great photography day was winter solstice. I’ve included a couple of images from that day. From the base of the Sandia Mountains, I could see the ice blown onto one side of the trees lining the cliff, so I was excited for, and anticipating, this shot all the way up on the tram. I was not disappointed.
This last shot illustrates just how rugged and wild Albuquerque’s backyard wilderness really is.
What will 2024 bring? Ten days in and I’ve already got zen cranes and raptors hunting. I’m so excited to see what’s next! How about you?
Well, it’s almost Christmas and Winter Solstice is only a few days away. Kind of reminds me of a Dar Williams song, “Christians and the Pagans”. (Give it a listen) There’s a line in that song, “And you find magic from your God, and we find magic everywhere, ”
I’m a pagan at heart, it’s nearly Winter Solstice, and I do find magic everywhere, especially in the natural world. So here are a few of the places and things I find magical.
Mountains
I’ve always been a mountain girl, and it’s not only the big peaks that are magical. I’m in love with the alpine, the land above treeline. Not just the big views, either, but every little detail. Especially the little details. There’s another Lilliputian world there if you look closely, and it’s a magical place.
.I used to play a game with my visitors when I did Discovery Hikes as a ranger in Denali. I would give them circles of string, about six inches in diameter, and have them enclose a patch of alpine tundra. I would ask them to count all the living species they could find in their circle. Then I would hand out magnifying glasses and have them count again. They always found more the second time around, with that closer look!
Water
Water is life. Literally. Without water, there is no life. It’s a magical substance. And there’s this weird thing that happens occasionally when I photograph waterfalls. Although I don’t see it when I’m making the shot, I will sometimes find a face in the photo (the spirit of the waterfall?) when I open it up to process. That’s what happened in this image. Can you see the face? It’s magical.
Trees
There are a lot of magical trees out there. Have you ever meditated with a redwood? Or wandered through the fairyland of a temperate rainforest, like you might find in the Pacific Northwest?
One of the most magical kinds of forests I’ve ever seen are the Madrone/Manzanita woodlands of Oregon’s Siskiyou Mountains, with trees that look like women, decorated with delicate lichens and moss. Magical.
Tidepools
Tide pools are magical places. Especially to me. I’ve been on a mission to find good tide pools, and I’m not always successful. Timing is everything. If you don’t have a real low tide, forget it. But I got lucky last spring, twice; once at Bandon, my favorite spot on the whole Oregon Coast, and then at Cape Perpetua. I scored an awesome campsite with great wildflowers at Cape Perpetua, too.
One of the most miraculous discoveries in my successful tidepooling this spring was that sea stars are coming back! Decimated by sea star wasting disease, it’s been years since there was a healthy starfish population anywhere on the Pacific Coast, but there were a lot of them in Oregon this spring. Brings joy to my heart
Desert
Arches and natural bridges are pretty magical, too. I listed them under desert to go with my photo, but you can also find them on the coast, products of erosion, sculpted by the waves. In the desert it’s the wind doing the carving for an arch, and water for the natural bridges.
These nature sculptures are ephemeral. beings. You never know how long they will last. The arch in this photo, Shakespeare Arch, is already gone, collapsing a couple of years ago. I’m glad I saw it when I did because it was a beauty, now gone forever.
Another magical product of erosion are slot canyons. All canyons are magical, never knowing but eagerly anticipating what’s around the next bend as you hike up one. Slots just bring the excitement up a notch, with the beauty of their polished walls and the way they have of drawing you in, deeper and deeper.
A good wildflower season in the desert is definitely magical. To see a landscape that is pretty bleak most of the time, nothing but dirt and rocks, transform into a veritable garden of delight, completely drenched with flowers – well, it’s got to be seen to be believed. Maybe we’ll get lucky this year. Fingers crossed.
Home
Last, but not least, I live in a magical place. When I first came to McCarthy, I felt like I’d discovered Never Never Land. It was a place where you never had to grow up, unique, like nowhere else in the world. That was before social media, before McCarthy was discovered by the rest of the world.
Perhaps it’s not quite so magical now, now that it is on the map. With Instagram, there are no longer any best kept secret magical places. But I’ll bet it’s still pretty magic to people who have never been there before, who are freshly discovering it. And after all, it’s the people who play the largest part in making any place magical, and McCarthy is still filled with amazing, kind, beautiful people, people who keep the magic alive.
Thanks to Ann-Christine of Leya for this week’s Lens-Artist’s Photography Challenge, Magical.
I’m a nature photographer. It’s what I do. I go wild for my photography.
John of Journeys With Johnbo chose this week’s Lens-Artists Photography Challenge, “The Road Most Traveled”. He asks us to showcase whatever style of photography is our go-to, our favorite, our road most traveled.
I don’t think I can define a particular style as my go-to, but I can definitely define a genre. I do nature photography – to the almost total exclusion of any other kind of photography.
I guess that makes me a bit of a one-dimensional character. Especially since being wild is almost a prerequisite for a photo of mine. Domestic flowers don’t really interest me. I have plenty of opportunities to do pet photography, being a petsitter and all, but I seldom make pictures of my charges. I also have the opportunity to stay in some lovely homes while petsitting. But I rarely take photos of these houses. There are very few farm or country landscapes in my files, and never a cityscape. Like I said, pretty one-dimensional.
It’s not that I don’t appreciate other types of photography. Most folks have broader interests than mine. Architecture, travel, food, portraits, street photography – I admire what other people are doing in those genres. I enjoy seeing these things through their eyes. I just don’t feel inspired to go there myself.
But if it’s wild – then my interest is limitless. Desert, mountains, seashore, I love them all. Grand vistas to teeny tiny details. Animals, plants, water, rock – I can’t get enough of them. Macro to wide-angle to zooming in, black and white, color and monochrome – all tools and techniques that help me to express my greatest love, the natural world.
There is one genre of photography that I rather regret not doing my whole life, and that’s people photography, taking pictures of friends and loved ones. I’ve photographed a few friends’ weddings, and taken pictures at 4th of July parades and a few musical events, but that’s it. I have very few photos of friends and family just enjoying life.
I do understand why I don’t have many people pictures. I only take people pictures at events where my role is one of an observer more than a participant. When I’m with friends and family, I want to be totally present. Those moments are precious to me. I want to be a participant, not an observer. For me, taking pictures at that time would remove me from living in the joy of the present moment. I would be concentrating on taking a good picture instead. Weird, I know.
I’m certainly glad others don’t feel that way. I am eternally grateful to the friends and family who do document those moments. You know who you are, and I thank you from the bottom of my heart. The older I get the more precious those people pictures are.
As I ponder the role photography plays in my life, I realize it’s a tool to further what seems to be my mission in life, my vocation and my avocation. In my photography, my writing, and my work as a ranger, I seem to be pursuing the same goals – turning people on to what makes a place or a subject special and unique, and encouraging others to be kind to our Mother the Earth. It’s what I do.
I attempt to capture a scene or a subject in such a way that a viewer can visually and mentally walk into that place themselves, to feel like they could be there even if they’ve never seen it in person. When I know I’ve done that, I feel successful as a photographer.
Nature photography is a meditation for me. It’s how I give praise to Creation. I acknowledge the other beings I share this planet with, both animate and inanimate, by practicing the art of seeing. Focusing my total concentration on a subject or a scene is a way of saying to those beings, “I see you. I honor you. Thank you for being.” I try to capture just a little of the essence of my subject. What makes that being or that landscape essential.
If others can discover just a little of that essence through my nature photography, then hopefully they too will acknowledge that that thing or that place is unique and essential. Perhaps they will feel inspired to care for it and keep it safe.
If my images occasionally fill my viewers with awe for the wonders of the natural world, that makes me proud of a job well done. Or maybe my nature photography will just bring a smile to their faces or a warm feeling in their hearts. That’s a worthy goal, too.
I hope you’ve enjoyed my musings on the art of nature photography. But I hope you enjoy my images of Nature even more.
“I live in that solitude which is painful in youth, but delicious in the years of maturity. ” –Albert Einstein
I think I’ve had more alone time this winter than I’ve ever had, in any season, in my entire life.
I didn’t plan it that way. The people I am housesitting for said it would be okay if I had guests, and I put the invitation out there. At least half a dozen friends and family members expressed an interest. Ocean-front property on Orcas Island? Sure! Sounds like fun! But in one way or another, somehow all those plans fell through.
Even though I’ve been on Orcas Island for four months, I haven’t made new friends. I’ve put out a few feelers – introduced myself to neighbors, attended a few concerts and other town social events, entered an exhibition. Everyone has been nice, I’ve had some interesting conversations, but that’s as far as it goes.
Everyone has full lives. They have no reason to go out of their way to befriend a here today/gone tomorrow transient housesitter. It’s kind of a waste of their precious time, even if she does seem to be a nice lady! I get it.
I must admit I could have tried harder. Although I am outgoing and find it easy to talk to strangers in my work persona as a park ranger, in my personal life I’m kind of shy. I didn’t put myself in any situation that would take me out of my comfort zone. I didn’t get an outside job. I didn’t go to the bar.
The truth is, I haven’t tried harder to make new friends because I really have been enjoying my solitude!
“Solitude is creativity’s best friend, and solitude is refreshment for our souls.” -Naomi Judd
Everyone needs alone time. Solitude sparks creativity. It can renew your soul. It allows time for daydreams and imagination, reflection and invention.
There is freedom in solitude. No one to tell you what you should be doing or where you should be going. Instead, it’s all up to you.
Some activities require solitude. Reading, writing, and meditating come to mind. There are other activities where going solo brings immense rewards but at the price of much greater risk. For instance, as a park ranger, I often have to tell people that they should hike with others. It’s much safer. Yet I, and most rangers I know, revel in solitary treks. It’s very important to understand and acknowledge the risks of solitude and to be aware of the possible consequences of your actions when pursuing these kinds of activities solo.
“Solitude is not something you must hope for in the future. Rather, it is a deepening of the present, and unless you look for it in the present you will never find it. “ -Thomas Merton
For many people, it’s not easy to get that alone time we all need. The demands of work, family and friends can consume our lives. Solitude becomes a rare and precious event. If this sounds like you, it’s especially important to carve yourself out some alone time, even if you have to make a date with yourself and schedule it.
“If you’re lonely when you’re alone, you’re in bad company.” – Jean-Paul Sartre
There’s a big difference between solitude and loneliness. Solitude is the positive application of alone time. Loneliness and depression happen when you dwell on the negative aspects of being alone. Solitude has a purpose.
“I find it wholesome to be alone the greater part of the time.” – Henry David Thoreau
Some people need more solitude than others. They need their space. I’m in that category. So are many of my friends back home in McCarthy. A friend of mine once said, “McCarthy is where loners go to be social.”
McCarthy is very social in the summer, but most residents deal with a lot of alone time in the winter. I find it interesting that two of my friends from McCarthy have also written about the pleasures of solitude this week. Jon Erdman of the Wrangell Mountains Center wrote a post about the effects of solitude. Kristen Link is a natural history artist and science illustrator. One of the prompts in her latest newsletter encourages other artists to draw what silence looks like. I don’t draw, but the following image is my answer to that prompt.
Perhaps that is why I feel okay about my season of solitude. It’s winter, a natural time to draw resources inward, to go quiet, and be dormant. The quiet time is necessary for future growth.
Spring will soon be here, a time for new growth, new connections, the ground prepared and spirit renewed by that season of dormancy. In April I will be traveling, embracing old friends and new experiences. I look forward to my spring travels, but I will also cherish this final month of alone time.
I’m pushing my boundaries, leaving my comfort zone, by going soft and dreamy for this week’s post. Reducing clarity to create softness is a photographic technique I seldom (almost never) use. I’m one who is always going for more sharpness instead.
It’s a technique, though, that I should probably use more often. Reducing clarity to make an image soft and dreamy is especially effective with some flower images.
Reducing clarity and using a mask to sharpen part of the image is great for changing depth of field, too.
Foggy conditions naturally reduce clarity without any additional processing.
Trees
As I played around with reducing clarity, I discovered that I really love what this technique did to a few of my tree images.
I was able to make some of my tree images soft and dreamy, giving them a painterly effect.
The following image was always one of my favorites, but I could never get it as sharp as I needed to. It was always a little too busy, too. But reducing clarity gives it the look of an impressionist painting. I love it!
Waterfalls
One place where reducing clarity is especially impressive is in waterfall images.
It makes the water silkier and fuller. You can see this effect in the following 2 images.
Perhaps you don’t want the whole image soft, though. In the following photo, I used a mask to soften the water but left the rest sharp.
If you want to obscure a busy background by making the image soft and dreamy but also want to preserve some detail in the foreground, you can use a few different tricks to make that happen. I used a couple of techniques in the following series.
Waves
Waves are also fun to make soft and dreamy. Here’s another series.
The 1st is original, 2nd is Soft Mist filter, 3rd is reducing clarity.
By reducing clarity, texture, and dehaze, I transformed this ocean sunset into an almost abstract watercolor.
Way soft and dreamy
Landscapes
As I mentioned a couple of weeks ago in Monochromes, I usually try to stay realistic with my photos. But this winter is all about getting out of my comfort zone, both physically and creatively. And actually, reducing clarity works particularly well with the Orcas Island landscape.
Reducing clarity works well with the Orcas Island landscape
Reducing clarity and going monochrome turned this flat, boring photo taken in terrible midday light into an image I can be proud of.
Quite a different mood from midday flat light.
Thank you to Bren of Brashley Photography for this week’s Lens-Artists Photo Challenge, Bringing Softness. You’ve helped me to stretch and learn a new technique!
North meets South annually in my life. I migrate. As beautiful as Alaska is in the winter, like the birds and the whales, I prefer to head for warmer climes when the days get shorter.
In the following pairs of flowers, can you tell which is North and which is South?
For years I worked in Death Valley National Park in the winter. People used to tell me, “Wow, you go from one extreme to the other! But I didn’t see it that way.
Death Valley or Denali?
Sure, there are big differences. In some years I was moving from a park that contained the highest point in North America, Denali, to a park that held the lowest point, the Badwater Basin. But I was actually avoiding the extremes through my travels- escaping the cold of winter in Alaska and dodging the heat of summer in Death Valley.
Plants in both places use many of the same strategies to survive.
The predominant colors were different, it’s true – shades of green in Denali and shades of brown in the desert. But the landscapes were surprisingly similar.
That’s why they look so similar.
In fact, there were far more similarities than there were differences. North meets South, sharing many of the same attributes. When I first applied for a job in Death Valley, an Alaskan friend told me that I’d find it more like home than anywhere else in the lower 48. He was right.
The landscapes aren’t all that different.
Immense, open panoramas abound in both. The vastness cannot be described, it needs to be experienced. They are landscapes that make you aware of your own insignificance. Death Valley is the largest park in the contiguous United States. Denali is even bigger. In most places, these landscapes seem endless because there are few to no trees. When I worked in Denali, I lived at the Toklat Road Camp, 50 miles into the park. I was surrounded by alpine tundra, not trees.
They’re both vast.
There are parallels in many of the geological features. Both contain rugged mountain ranges divided by wide valleys. Alluvial fans and glacial outwash plains look surprisingly similar. The raw, naked geology is exciting. The stories that the rocks tell are so much easier to understand in barren landscapes like these.
A nameless canyon in the Black Mountains
One aspect that delights me is that both parks are filled with countless nameless canyons to explore. These landscapes invite you to wander.
A nameless canyon on Polychrome Mountain
Sometimes you find similar treasures as you explore these canyons. Did these horns come from Death Valley or Denali?
Denali or Death Valley?
One way North meets South is through the commonalities of their wildflowers. Both Denali and Death Valley can have phenomenal flower seasons. And plants in both parks use similar adaptations to survive in their harsh environments.
Both parks host an incredible variety of wildflower species.
Both Denali and Death Valley pose extremely difficult challenges for the plants and animals that live there. Although one place is scorching hot and the other bitterly cold, they share an element that amplifies the effects of both extremes – wind.
They’re not all belly flowers!
In both places, the growing season is short but intense. In both, you’ll also find that a lot of flowers grow low to the ground. Belly flowers. They often grow closely in mounds or in mats covering the ground, working together to avoid the drying effects of the relentless wind.
Growing low to the ground in a mound can protect the flowers from wind and conserve water.
Many plants in both places are covered with fine hairs, which keep Denali’s flowers a little warmer and protect Death Valley’s from the harsh sun.
Denali or Death Valley?
The biggest draw for me personally is that both Denali and Death Valley are incredibly wild, something I’m aching for on tame, benevolent Orcas Island this winter. There is something about the harshness of those landscapes that speaks to my soul. And of course, they’re also both awe-inspiringly beautiful.